Remote Photo Editor — Edit-as-you-shoot
Your gallery,
done before
the event ends
Hire me as your on-call remote photo editor. As you shoot, your camera pushes RAWs to me over FTP; I cull and color-correct them on a fiber line and send finished files right back — so the edit keeps pace with the event instead of starting after it. Swamped with jobs, not loving your own edit, or fighting inconsistent color and blown highlights from rooms you couldn't control? That's where I save you. My day job is grading RGB-LED billboards at night — if I can make those read like real life, your event frames are easy.
A live editing pipeline.
You shoot → FTP
Most modern cameras push RAWs straight to an FTP as you fire. They land on my end in seconds.
I cull + grade
On a fiber line I cull, color-correct and recover highlights in near real-time — professionally, not "filtered."
Finished, back to you
Edited files come straight back, ready to hand off — the exact loop behind the STN Tampa campaign.
I bring "cooked" frames back.
Cooked — as shot
Recovered
Drag the divider. My day job is photographing digital billboards — RGB LED walls at night that blow out unless the ambient light is as intense as the panel. Pulling those back to look like real life is the whole craft; event photos are easy by comparison. Recovery is bounded by what your sensor captured, not by effort.
What you're hiring.
Culling plus pro color correction on your RAWs — consistent color across the set, recovered highlights and shadows (within what your sensor captured), and clean, ready-to-hand-off files. Real grading, not a filter.
Want more than a clean edit? I can build a custom PSD overlay template, and apply overlays or graphics to your shots live as you send instructions. Both are paid add-ons on the base RAW edit — no creative Photoshop by default.
You stay responsible for final delivery to your client — unless we're simply dropping the edited files into a shared Google Drive link, which I'm happy to manage.
An FTP-capable camera (or a card runner), a decent upload pipe on-site, and a quick pre-event test. I hold the fiber connection on my end.
Book me as your editor.
Tell me the event, the date, and your camera — it comes straight to my inbox.